Less Leo, More Character Development

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Less Leo, More Character Development

Postby Metalbender92 on Wed Aug 03, 2011 2:09 pm

I think of all the series I have ever watched, the ending of Avatar was the most disappointing.

Sure the animation was great- the final battle is one of the most exciting action sequences that I've ever seen in a movie. But the conclusion to Aang's story felt cheap. There was virtually no character arc for Aang, as many have pointed out (http://forums.avatarspirit.net/index.php?topic=14111.0) . He didn't have to sacrifice anything to save the world. Complex characters need to change drastically from the beginning of the story to the end, and Aang hardly changed at all (he does go from being carefree to responsible, but that change takes place long before the end of the series).

I'm an aspiring screenwriter, so I was thinking about how I'd change it if I ever had the chance to write a film adaptation. If I had my way, I'd probably end up less popular with the fans than M. Night Shymalan! But at least I'd have a reason for my changes.

In my version, I would have Aang contemplate whether or not he should use energy bending against Ozai. When he first learns the technique, he is sure that this is the best way to defeat the firelord. However, during the battle he realizes that taking the fire lord's life is the best way to ensure that there isn't another war (which is sound logic, seeing as the next "war" takes place 70 years later and is led by non- benders!). Aang would feel much better about removing Ozai's bending, but he realizes that his duty as the Avatar is to put the world's people before himself. In a shocking twist, he ignores his new ability and kills the fire lord, losing his innocence in the process. By letting go of his own fears, he has finally become the Avatar.

At the end of the war, Aang decides that he must abandon his friends and go off on his own. In order for him to have complete control over the avatar state, he must avoid human attachment. He loves Katara deeply, but in order to protect her and the rest of the world, he has to let her go.

It's a bittersweet ending, but in my opinion it holds a lot more meaning than the one given to us. Aang goes from being a playful child who can't accept his destiny to a young man who chooses to give up the people he loves in order to save them.

It also works perfectly with the themes from the show:
-You need to learn to let people go (example: airbenders)
-You must sacrifice yourself in order to save the world
-Coming of age, responsibility

So that's how I would write it. It's not the only way to go, but I like how it makes Aang change and make sacrifices. Some will probably say that killing Ozai would be out of character- well it should be. Aang's character shouldn't be exactly the same as it was at the beginning of the series, so a grim ending like this isn't out of the picture. Aang has always been trying to save the world- now he is forced to do it in a way that is devastating to him. It shows that Aang is willing to give it all to protect the ones he loves.

Anyway, let me know what you think, if I'm dead wrong, please tell me so :D

(Ideas are probably not entirely my own, but a compilation of things read on forums)
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Re: Less Leo, More Character Development

Postby captainyodels on Thu Aug 04, 2011 5:10 am

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Re: Less Leo, More Character Development

Postby VictorZamora on Thu Aug 04, 2011 8:23 am

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Re: Less Leo, More Character Development

Postby Metalbender92 on Thu Aug 04, 2011 11:59 am

LOL, sorry, what I meant to say was:

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Re: Less Leo, More Character Development

Postby PVMK on Thu Aug 04, 2011 3:19 pm

Okay, 20% redeemed.
But, no, just no.
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Re: Less Leo, More Character Development

Postby TheCabbageMerchant on Thu Aug 04, 2011 7:07 pm

Metalbender92 wrote:I think of all the series I have ever watched, the ending of Avatar was the most disappointing.

Sure the animation was great- the final battle is one of the most exciting action sequences that I've ever seen in a movie. But the conclusion to Aang's story felt cheap. There was virtually no character arc for Aang, as many have pointed out (http://forums.avatarspirit.net/index.php?topic=14111.0) . He didn't have to sacrifice anything to save the world. Complex characters need to change drastically from the beginning of the story to the end, and Aang hardly changed at all (he does go from being carefree to responsible, but that change takes place long before the end of the series).

I'm an aspiring screenwriter, so I was thinking about how I'd change it if I ever had the chance to write a film adaptation. If I had my way, I'd probably end up less popular with the fans than M. Night Shymalan! But at least I'd have a reason for my changes.

In my version, I would have Aang contemplate whether or not he should use energy bending against Ozai. When he first learns the technique, he is sure that this is the best way to defeat the firelord. However, during the battle he realizes that taking the fire lord's life is the best way to ensure that there isn't another war (which is sound logic, seeing as the next "war" takes place 70 years later and is led by non- benders!). Aang would feel much better about removing Ozai's bending, but he realizes that his duty as the Avatar is to put the world's people before himself. In a shocking twist, he ignores his new ability and kills the fire lord, losing his innocence in the process. By letting go of his own fears, he has finally become the Avatar.

At the end of the war, Aang decides that he must abandon his friends and go off on his own. In order for him to have complete control over the avatar state, he must avoid human attachment. He loves Katara deeply, but in order to protect her and the rest of the world, he has to let her go.

It's a bittersweet ending, but in my opinion it holds a lot more meaning than the one given to us. Aang goes from being a playful child who can't accept his destiny to a young man who chooses to give up the people he loves in order to save them.

It also works perfectly with the themes from the show:
-You need to learn to let people go (example: airbenders)
-You must sacrifice yourself in order to save the world
-Coming of age, responsibility

So that's how I would write it. It's not the only way to go, but I like how it makes Aang change and make sacrifices. Some will probably say that killing Ozai would be out of character- well it should be. Aang's character shouldn't be exactly the same as it was at the beginning of the series, so a grim ending like this isn't out of the picture. Aang has always been trying to save the world- now he is forced to do it in a way that is devastating to him. It shows that Aang is willing to give it all to protect the ones he loves.

Anyway, let me know what you think, if I'm dead wrong, please tell me so :D

(Ideas are probably not entirely my own, but a compilation of things read on forums)

If your film adaptation is going to be fantasy and have the same tone as the show, I think your ending would be a little complex and heavy. Fantasy is allowed to and should have a happy ending. The young boy should defeat the dark lord, get the girl and fulfill the prophecy/save the world. He does not have to be devastated in the process of saving the world. Also remember the target audience: 9-14 yrs and how you want to approach violence and death, especially when the protagonist seems to be executing a bound prisoner! :o

I agree that lion turtle and energy bending is all a bit dues ex machina but I'm not going to knock it because i can't think of an alternative ending that would be in keeping with the tone of the show.

I'd also argue that Aang taking on the responsibility of an Avatar is more of a significant arc than you give it credit. When you compare him running away from home at the beginning of the story - not unreasonable response for a 12 yr old in his position - to facing the personification of evil single-handedly, I'd say that's a pretty big change in character.


On the surface Aang is the same person, but he does slowly develop into the Avatar from a child:

In denial of his destiny --> Learning he must defeat the fire lord from Roku--> Siege of the north --> training with Pathik & refusal to let go of Katara --> Lets go of Katara & masters the avatar state but effectively loses the war --> DoBS invasion with help from friends and eclipse --> Learns of genocidal plan of Ozai and faces him alone while he is most powerful.


His arc doesn't contain anything as dramatic as a loss of innocence, but he does face his fears and rises to the huge responsibility that has been placed upon him.

As for becoming detached from the world so he can control the avatar state, I don't know. Mainly because the show sort of contradicts itself: Pathik says he must let go of earthly attachment to let the cosmic energy flow BUT, Yangchen says the Avatar is incapable of detaching from the world, as the world is the Avatar's sole duty. So yeah, I dunno -shrug-.

This was really interesting, I'd love to see your screenplay if you do end up writing one.

Anyway, feel free to ignore anything I said, I was terrible at English Lit. at school... :D
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Re: Less Leo, More Character Development

Postby Metalbender92 on Thu Aug 04, 2011 11:39 pm

Oh my god cabbage merchant, you're using actual words! Thank you! :lol:

You do make a good point about Aang going from running away from the fire nation to fighting Ozai alone. I concede that that is an arc. I guess I never saw the building of conflict because of how powerful he becomes in the avatar state. Aang single handedly wiping out the fire nation in the siege of the north sort of disrupts the idea that he needs his friends to help him.

Another arc that I missed was Aang refusing the avatar state in the final episode, which was great. So there are some character changes, I just didn't like how Aang stayed "true to himself". Most audiences don't watch TV shows to see the main character protect their values and NOT change. A piece of fiction should irreversibly change the protagonist for better or for worse.

If Aang had been a stone cold killer and then had spared Ozai's life, I'd have felt differently about the cop out ending. It would have meant something.

The script's tone: The tone would be a bit different, but not by much. Avatar deals with a lot of dark conflicts, they just never seem to amount to much. The script would still have friendship and love as themes, but it'd also talk a lot about the experience of letting those people go, for better or for worse. I think of it as a bittersweet ending, similar to Frodo's arc in the lord of the rings trilogy.

Again, the response is much appreciated, thank you for the feedback! I was thinking of writing an Avatar script, but then I'd just have to do 2 more to finish the story, so I'm going to stick to speculation for now.



Also, I don't know why my concept deserves a photograph of confused penguins. The image honestly doesn't add much to the conversation, cryptic as it is. The "LOL WUT" is also not helping your argument either. I'm just rather confused about what's so "confused-penguins" about my idea.
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Re: Less Leo, More Character Development

Postby captainyodels on Fri Aug 05, 2011 12:31 am

Hey metalbender.

tl;dc
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Re: Less Leo, More Character Development

Postby Metalbender92 on Fri Aug 05, 2011 1:06 am

captainyodels wrote:Hey metalbender.

tl;dc


Whaaaaat.
Are you saying that my post is "too long" and that you "don't care"? Or maybe you are saying that you don't care that it's too long? If it is the second one then I'm sorry I couldn't feed your literary hunger!
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Re: Less Leo, More Character Development

Postby Uncle_Iroh on Fri Aug 05, 2011 3:04 am

Problem with it.

If he didn't get with Katara, how would the Air nomads continue to exist? If there weren't anymore airbenders the cycle would be broken and after three more avatars there would be no more Avatar.

I think that Mike and Bryan know what they are doing, and they shouldn't be questioned...Ever. Again.

-Leaves thread like ninja-

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